Alright, so you want something sweet, refreshing, and isn’t made by coca-cola? Son, agua fresca is the fucking JAM. Look, all the shit you need is:

6 cups of fruit (I used cantaloupe, but you can use strawberries, pineapple, watermelon, etc)
1 cup of ice
3 cups of water
3 tablespoons of lime juice
3 tablespoons of agave or cane sugar
pinch of salt

Toss all that shit in a blender and zap it. Fucking done. Some people strain the blended fruit for pulp, which makes the consistency a bit more watery. Not me, I like some pulp in that shit. Every sip reminds me what I’m drinking isn’t gasoline.  

Natural sugar is way better for you than that garbage they put in soda.  No bitch, I don’t “wanta Fanta” go get the fuck on. Shit.

  1. Camera: Canon EOS DIGITAL REBEL XT
  2. Aperture: f/5.6
  3. Exposure: 1/2500th
  4. Focal Length: 160mm


Chilean Coastline (by jpdodd)

(Source: orionfalls)


Hogan is a star in 1953





(Source: airows)


When I first moved to Canada, I showed up to a party and started putting my beer in the fridge. The entire kitchen stopped to stare in wonder and disbelief until someone yelled out ‘don’t fucking waste pizza space. This whole country is a fuckin icebox’

(Source: humortrain)

(Source: hulkh4nds)

  • Sorcerer's Stone: We're probably gonna need to close Hogwarts
  • Chamber of Secrets: We should really consider closing Hogwarts
  • Prisoner of Azkaban: Sooo are we closing Hogwarts
  • Goblet of Fire: Someone died we should really close Hogwarts now
  • Order of the Phoenix: Nope? Not closing Hogwarts?
  • Half-Blood Prince: Really guys it's time to close Hogwarts
  • Deathly Hallows: Hogwarts is kinda blown up guys, do we close it now? No? Great.



Richard Barnes, “2nd Ave Subway Excavation #3” (2012) photographed on assignment for The New York Times Magazine.“The first thing that stuck me as we descended the ninety feet below Second Avenue was the scale of the tunnel excavation rising in some places four to five stories above us,” Barnes told me. “The workers were dwarfed by the monumental scale, especially as the tunnels opened up to where the station platforms will one day be built. Next, I couldn’t get over how much like a movie set it felt. I had brought my own lighting equipment with me, as I was expecting it to be extremely dark down there. Instead, I was surprised (and I guess I shouldn’t have been, as workers need to see) by the amount of light in the pit. Jules Verne, Stanley Kubrick, Frank Herbert, and David Lynch’s all but forgettable “Dune” were some of the literary and cinematographic references the site conjured up for me. I strove to bring this quality of otherworldliness to my images, as it was kind of unbelievable that this magical world exists now below the surface of the Upper East Side of Manhattan.” 


This week, Photo Booth will be taking a look at pictures of the New York subway, often by artists with bodies of work devoted to the subject.

I am constantly awed by what goes on under New York.

  1. Camera: Canon EOS 5D Mark II
  2. Aperture: f/9
  3. Exposure: 1/3th
  4. Focal Length: 24mm